With the VT-2, DW Fearn has created a truly exceptional 2 channel preamp that brings back the glory of vacuum tubes. If you can spring for one in your budget, you won’t regret owning it. The way it captures the human voice gives dimension and clarity to your recordings. It also is a great mic to have for voice-over. Touted as the mic of Hollywood, the Sennheiser 416 MKH is an essential for any field recordist. Modeled after the Neumann u67 mics, the Mogami provides a more affordable approach of achieving that classic Neumann sound we are so used to hearing for voiceover. Being a condenser it down pick up everything in the room that it is placed in. For Voiceover the Mogami really works best in a sound booth or acoustically silent room. ![]() It added a silky tight sound to vocal quality, while making the vocals cut through more. The Mogami I just recently used on recording vocals for a rap song. MXL V69M Mogami Tube Condenser Microphone The PR30 captures voice artist of all vocal qualities, whereas the PR40 shines in recording lower/bassier voiced artists. ![]() ![]() Heil has created a mic that rivals any ribbon mic out there. Not only do these mics work really well as vocal mics, they are also very affordable at $250-$300. Due to the well-balanced EQ curve, especially for the PR30, they pick up the human voice without adding too much color to it. I’ve recorded a lot of voice-overs with these mics. These mics are all around great dynamic mics.
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